Seeking the Magic Mushroom A New York banker goes to Mexico's mountains to participate in the
age-old rituals of Indians Life Magazine May 13, 1957 |
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![]() They have been pursuing the cultural role of wild mushrooms for 30
years. Their travels and inquiries throughout the world have led them to some surprising
discoveries in this field in which they are pioneers. They are now publishing their
findings in Mushrooms Russia and History, a large, richly illustrated two-volume book,
which is limited to 500 copies and is now on sale at $125 (Pantheon Books, New York). I am a banker by occupation and Richardson is a New York society photographer and is in charge of visual education at The Brearley School. It was, however, no accident that we found ourselves in the
lower chamber of that thatch-roofed, adobe-walled Indian home. For both of us this was
simply the latest trip to Mexico in quest of the mushroom rite. For me and my wife, who
was to join us with our daughter a day later, it was a
Allan and I arrived there at about 3 o'clock. Filemon's
home is built on a mountainside, with a trail on one side at the level of the upper story
and a deep ravine on the other. Filemon at once led us down the ravine to a spot where the
divine mushrooms were growing in abundance. After photographing them we gathered them in a
cardboard box and then labored back up the ravine in the heavy moist heat of that torrid
afternoon. Not letting us rest Filemon sent us high up above his house to meet the
curandera, the woman who would officiate at the mushroom rite. A connection of his, Eva
Mendez by name, she was a curandera de primera categoria, of the highest quality, una
Senora sin mancha, a woman without stain. We found her in the house of her daughter, who
pursues the same vocation. Eva was resting on a mat on the floor from her previous night's
performance. She was middle-aged, and short like all Mixetecos, with a spirituality in her
expression that struck us at once. She had presence. We showed our mushrooms to the woman
and her daughter. They cried out in rapture over the firmness, the fresh beauty and
abundance of our young specimens. Through an interpreter we asked if they would serve us
that night. They said yes. ABOUT 20 of us gathered in the lower chamber of Filemon's
house after 8 o'clock that evening. Allan and I were the only strangers, the only ones who
spoke no Mixeteco. Only our hosts, Filemon and his wife, could talk to us in Spanish. The
welcome accorded to us was of a kind that ,we had never experienced before in the Indian
country. Everyone observed a friendly decorum. They did not treat us stiffly, as strange
white men; we were of their number. The Indians were wearing their best clothes, the women
dressed in their huipiles or native costumes, the men in clean white trousers tied around
the waist with strings and their best serapes over their clean shirts. They gave us
chocolate to drink, somewhat ceremonially, and suddenly I recalled the words of the early
Spanish writer who had said that before the mushrooms were served, chocolate was drunk. I
sensed what we were in for: at long last we were discovering that the ancient communion
rite still survived and we were going to witness it. The mushrooms lay there in their box,
regarded by everyone respectfully but without solemnity. The mushrooms are sacred and
never the butt of the vulgar jocularity that is often the way of white men with alcohol. A strange, solemn rite and wonders in the dark Rare vision-giving fungi shown for first time At the present time no one knows what drug it is in these mushrooms that causes the eater to see visions, and until its properties are clearly defined the hallucinogenic mushrooms must be treated with extreme caution. Among the Indians, their use is hedged about with restrictions of many kinds. Unlike ordinary edible mushrooms, these are never sold in the market place, and no Indian dares to eat them frivolously, for excitement. The Indians themselves speak of their use as muy delicado, that is, perilous.
Psilocybe mexicana Before midnight the Senora (as Eva Mendez is usually called) broke a flower from the bouquet on the altar and used it to snuff out the flame of the only candle that was still burning. We were left in darkness and in darkness we remained until dawn. For a half hour we waited in silence. Allan felt cold and wrapped himself in a blanket. A few minutes later he leaned over and whispered, "Gordon, I am seeing things!" I told him not to worry, I was too. The visions had started. They reached a plateau of intensity deep in the night, and they continued at that level until about 4 o'clock. We felt slightly unsteady on our feet and in the beginning were nauseated. We lay down on the mat that had been spread for us, but no one had any wish to sleep except the children, to whom mushrooms are not served. We were never more wide awake, and the visions came whether our eyes were opened or closed. They emerged from the center of the field of vision, opening up as they came, now rushing, now slowly, at the pace that our will chose. They were in vivid color, always harmonious. They began with art motifs, angular such as might decorate carpets or textiles or wallpaper or the drawing board of an architect. Then they evolved into palaces with courts, arcades, gardens—resplendent palaces all laid over with semiprecious stones. Then I saw a mythological beast drawing a regal chariot. Later it was as though the walls of our house had dissolved, and my spirit had flown forth, and I was suspended in mid-air viewing landscapes of mountains, with camel caravans advancing slowly across the slopes, the mountains rising tier above tier to the very heavens. Three days later, when I repeated the same experience in the same room with the same curanderas, instead of mountains I saw river estuaries, pellucid water flowing through an endless expanse of reeds down to a measureless sea, all by the pastel light of a horizontal sun. This time a human figure appeared, a woman in primitive costume, standing and staring across the water, enigmatic, beautiful, like a sculpture except that she breathed and was wearing woven colored garments. It seemed as though I was viewing a world of which I was not a part and with which I could not hope to establish contact. There I was, poised in space, a disembodied eye, invisible, incorporeal, seeing but not seen. The visions were not blurred or uncertain. They were
sharply focused, the lines and colors being so sharp that they seemed more real to me than
anything I had ever seen with my own eyes. I felt that I was now seeing plain, whereas
ordinary vision gives us an imperfect view; I was seeing the archetypes, the Platonic
ideas, that underlie the imperfect images of everyday life. The thought crossed my mind:
could the divine mushrooms be the secret that lay behind the ancient Mysteries? Could the
miraculous mobility that I was now enjoying be the explanation for the flying witches that
played so important a part in the folklore and fairy tales of northern Europe? These
reflections passed through my mind at the very time that I was seeing the visions, for the
effect of the mushrooms is to bring about a fission of the spirit, a split in the person,
a kind of schizophrenia, with the rational side continuing to reason and to observe the
sensations that the other side is enjoying. The mind is attached as by an elastic cord to
the vagrant senses. ALLAN RICHARDSON eats a mushroom in spite of his pledge to his wife Meanwhile the Senora and her daughter were not idle. When
our visions were still in the initial phases, we heard the Senora waving her arms
rhythmically. She began a low, disconnected humming. Soon the phrases became articulate
syllables, each disconnected syllable cutting the darkness sharply. Then by stages the
Senora came forth with a full-bodied canticle, sung like very ancient music. It seemed to
me at the time like an introit to the Ancient of Days. As the night progressed her
daughter spelled her at singing. They sang well, never loud, with authority. What they
sang was indescribably tender and moving, fresh, vibrant, rich. I had never realized how
sensitive and poetic an instrument the Mixeteco language could be. Perhaps the beauty of
the Senora's performance was partly an illusion induced by the mushrooms; if so, the
hallucinations are aural as well as visual. Not being musicologists, we know not whether
the chants were wholly European or partly indigenous in origin. From time to time the
singing would rise to a climax and then suddenly stop, and then the Senora would fling
forth spoken words, violent, hot, crisp words that cut the darkness like a knife. This was
the mushroom speaking through her, God's words, as the Indians believe, answering the
problems that had been posed by the participants. This was the Oracle. At intervals,
perhaps every half hour, there was a brief intermission, when the Senora would relax and
some would light cigarets. At one point, while the daughter sang, the Senora stood up in the darkness where there was an open space in our room and began a rhythmic dance with clapping or slapping. We do not know exactly how she accomplished her effect. The claps or slaps were always resonant and true. So far as we know, she used no device, only her hands against each other or possibly against different parts of her body. The claps and slaps had pitch, the rhythm at times was complex, and the speed and volume varied subtly. We think the Senora faced successively the four points of the compass, rotating clockwise, but are not sure. One thing is certain: this mysterious percussive utterance was ventriloquistic, each slap coming from an unpredictable direction and distance, now close to our ears, now distant, above, below, here and yonder, like Hamlet's ghost hic et ubique. We were amazed and spellbound, Allan and I. There we lay on our mat, scribbling notes in the dark and exchanging whispered comments, our bodies inert and heavy as lead, while our senses were floating free in space, feeling the breezes of the outdoors, surveying vast landscapes or exploring the recesses of gardens of ineffable beauty. And all the while we were listening to the daughter's chanting and to the unearthly claps and whacks, delicately controlled, of the invisible creatures darting around us. The Indians who had taken the mushrooms were playing a part in the vocal activity. In the moments of tension they would utter exclamations of wonder and adoration, not loud, responsive to the singers and harmonizing with them, spontaneously yet with art. On that initial occasion we all fell asleep around 4
o'clock in the morning. Allan and I awoke at 6, rested and heads clear, but deeply shaken
by the experience we had gone through. Our friendly hosts served us coffee and bread. We
then took our leave and walked back to the Indian house where we were staying, a mile or
so away. These dramatic circumstances, puzzling and painful for me,
made a lasting impression on us both. From that day on we sought an explanation for this
strange cultural cleavage separating us in a minor area of our lives. Our method was to
gather all the information we could on the attitude toward wild mushrooms of the
Indo-European and adjacent peoples. We tried to determine the kinds of mushrooms that each
people knows, the uses to which these kinds are put, the vernacular names for them. We dug
into the etymology of those names, to arrive at the metaphors hidden in their roots. We
looked for mushrooms in myths, legends, ballads, proverbs, in the writers who drew their
inspiration from folklore, in the clichés of daily conversation, in slang and the
telltale recesses of obscene vocabularies. We sought them in the pages of history, in art,
in Holy Writ. We were not interested in what people learn about mushrooms from books, but
what untutored country folk know from childhood, the folk legacy of the family circle. It
turned out that we had happened on a novel field of inquiry. Our surmise turned out not to be farfetched. We learned that in Siberia there are six primitive peoples—so primitive that anthropologists regard them as precious museum pieces for cultural study—who use an hallucinogenic mushroom in their shamanistic rites. We found that the Dyaks of Borneo and the Mount Hagen natives of New Guinea also have recourse to similar mushrooms. In China and Japan we came upon an ancient tradition of a divine mushroom of immortality, and in India, according to one school, the Buddha at his last supper ate a dish of mushrooms and was forthwith translated to nirvana.
When Cortez conquered Mexico, his followers reported that the Aztecs were using certain mushrooms in their religious celebrations, serving them, as the early Spanish friars put it, in a demonic holy communion and calling them teonanacatl, "God's flesh." But no one at that time made a point of studying this practice in detail, and until now anthropologists have paid little attention to it. We with our interest in mushrooms seized on the Mexican opportunity, and for years have devoted the few leisure hours of our busy lives to the quest of the divine mushroom in Middle America. We think we have discovered it in certain frescoes in the Valley of Mexico that date back to about 400 A.D., and also in the "mushroom stones" carved by the highland Maya of Guatemala that go back in one or two instances to the earliest era of stone carvings, perhaps 1000 B.C. For a day following our mushroom adventure Allan and I did little but discuss our experience. We had attended a shamanistic rite with singing and dancing among our Mixeteco friends which no anthropologist has ever before described in the New World, a performance with striking parallels in the shamanistic practices of some of the archaic Palaeo-Siberian peoples. But may not the meaning of what we had witnessed go beyond this'? The hallucinogenic mushrooms are a natural product presumably accessible to men in many parts of the world, including Europe and Asia. In man's evolutionary past, as he groped his way out from his lowly past, there must have come a moment in time when he discovered the secret of the hallucinatory mushrooms. Their effect on him, as I see it, could only have been profound, a detonator to new ideas. For the mushrooms revealed to him worlds beyond the horizons known to him, in space and time, even worlds on a different plane of being, a heaven and perhaps a hell. For the credulous primitive mind, the mushrooms must have reinforced mightily the idea of the miraculous. Many emotions are shared by men with ,the animal kingdom, but awe and reverence and the fear of God are peculiar to men. When we bear in mind the beatific sense of awe and ecstasy and caritas engendered by the divine mushrooms, one is emboldened to the point of asking whether they may not have planted in primitive man the very idea of a god.
It is no accident, perhaps, that the first answer of the Spanish-speaking Indian, when I asked about the effect of the mushrooms, was often this: Le llevan ahí donde Dios está, "They carry you there where God is," an answer that we have received on several occasions, from Indians in different cultural areas, almost as though it were in a sort of catechism. At all times there have been rare souls—the mystics and certain poets—who have had access without the aid of drugs to the visionary world for which the mushrooms hold the key. William Blake possessed the secret: ''He who does not imagine in . . . stronger and better light than his perishing mortal eye can see, does not imagine at all." But I can testify that the mushrooms make those visions accessible to a much larger number. The visions that we saw must have come from within us, obviously. But they did not recall anything that we had seen with our own eyes. Somewhere within us there must lie a repository where these visions sleep until they are called forth. Are the visions a subconscious transmutation of things read and seen and imagined, so transmuted that when they are conjured forth from the depths we no longer recognize them? Or do the mushrooms stir greater depths still, depths that are truly the Unknown? IN each of our successive trips to the Indian peoples of southern Mexico, we have enlarged our knowledge of the use of the divine mushrooms, and as our knowledge has increased, new and exciting questions keep arising. We have found five distinct cultural areas where the Indians invoke the mushrooms, but the usage varies widely in every area. What is needed is a perceptive approach by trained anthropologists in every area, cooperating with mushroom specialists. Of these latter there are in the whole world relatively few: mushrooms are a neglected field in the natural sciences. In this field Professor Roger Heim is known the world over. He is not only a man with vast experience in the field of mushrooms: he is an outstanding scientist in other fields, a man steeped in the humanities, the head of the Museum National d'Histoire Naturelle in Paris. At an early stage of our inquiries he had lent us his counsel, and in 1956 our progress had been such as to justify him in accompanying us on another field trip. There came with us also a chemist, Professor James A. Moore of the University of Delaware; an anthropologist, Guy Stresser-Pean of the Sorbonne; and once again our loyal friend Allan Richardson as photographer. This time the immediate problem was to identify the
hallucinogenic mushrooms and to command a steady supply of them for laboratory study. This
is harder than a layman would think. Though the early Spanish writers wrote about the
divine mushrooms four centuries ago, no anthropologist and no mycologist had been
sufficiently interested to pursue the problem until our own generation. Those who know
these mushrooms are Indians belonging to tribes farthest removed from us culturally,
locked in their mountains remote from highways, locked also behind the barrier of their
languages. One must win their confidence and overcome their suspicion of white men. One
must face the physical discomforts of life and dangers of disease in the Indian villages
in the rainy season, when the mushrooms grow. Occasionally a white face is seen in those
parts in the dry season, but when the rains come, those rare beings—missionaries,
archaeologists, anthropologists, botanists, geologists—vanish. There are other
difficulties. Of the seven curanderos that by now I have seen take the mushrooms, only
two, Eva Mendez and her daughter, were dedicated votaries. Some of the others were
equivocal characters. Once we saw a curandero take only a token dose of mushrooms, and
there was another who ate and served to us a kind of mushroom that had no hallucinogenic
properties at all. Had we seen only him, we should have come away thinking that the famed
properties of the mushrooms were a delusion, a striking instance of autosuggestion. Do we
discover here an effort at deception, or had the dried mushrooms through age lost their
peculiar property? Or, much more interesting anthropologically, do some shamans
deliberately substitute innocent species for the authentic kinds in a retreat from what is
too sacred to be borne? Even when we have won the confidence of a skilled practitioner
like Eva, the atmosphere must be right for a perfect performance and there must be an
abundance of mushrooms. Sometimes even in the rainy season the mushrooms are scarce, as we
have learned from costly experience. The mushrooms are not used as therapeutic agents: they themselves do not effect cures. The Indians "consult" the mushrooms when distraught with grave problems. If someone is ill, the mushroom will say what led to the illness and whether the patient will live or die, and what should be done to hasten recovery. If the verdict of the mushroom is for death, the believing patient and his family resign themselves: he loses appetite and soon expires and even before his death they begin preparations for the wake. Or one may consult the mushroom about the stolen donkey and learn where it will be found and who took it. Or if a beloved son has gone out into the world—perhaps as a wetback to the states—the mushroom is a kind of postal service: it will report whether he still lives or is dead, whether he is in jail, married, in trouble or prosperous. The Indians believe that the mushrooms hold the key to what we call extrasensory perception.
Little by little the properties of the mushrooms are beginning to emerge. The Indians who eat them do not become addicts: when the rainy season is over and the mushrooms disappear, there seems to be no physiological craving for them. Each kind has its own hallucinogenic strength, and if enough of one species be not available, the Indians will mix the species, making a quick calculation of the right dosage. The curandero usually takes a large dose and everyone else learns to know what his own dose should be. It seems that the dose does not increase with use. Some persons require more than others. An increase in the dose intensifies the experience but does not greatly prolong the effect. The mushrooms sharpen, if anything, the memory, while they utterly destroy the sense of time. On the night that we have described we lived through eons. When it seemed to us that a sequence of visions had lasted for years, our watches would tell us that only seconds had passed. The pupils of our eyes were dilated, the pulse ran slow. We think the mushrooms have no cumulative effect on the human organism. Eva Mendez has been taking them for 35 years, and when they are plentiful she takes them night after night. The mushrooms present a chemical problem. What is the agent in them that releases the strange hallucinations? We are now reasonably sure that it differs from such familiar drugs. as opium, coca, mescaline, hashish, etc. But the chemist has a long road to go before he will isolate it, arrive at its molecular structure and synthesize it. The problem is of great interest in the realm of pure science. Will it also prove of help in coping with psychic disturbances? My wife and I have traveled far and discovered much since
that day 30 years ago in the Catskills when we first perceived the strangeness of wild
mushrooms. But what we have already discovered only opens up new vistas for further study.
Today we are about to embark on our fifth expedition to the Mexican Indian villages, again
seeking to increase and refine our knowledge of the role played by mushrooms in the lives
of these remote peoples. But Mexico is only the beginning. All the evidence relating to
the primitive beginnings of our own European cultures must be reviewed to see whether the
hallucinogenic mushroom played a part there, only to be overlooked by posterity. ACKNOWLEDGMENTS For help in Middle America the author and Mrs. Wasson are indebted in Mexico chiefly to Robert J. Weitlaner; to Carmen Cook de Leonard and her husband, Donald Leonard; to Eunice V. Pike, Walter Miller, Searle Hoogshagan, and Bill Upson of the Summer Institute of Linguistics; also to Gordon Ekholm of the American Museum of Natural History, New York; and to Stephan F. de Borhegyi, director of the Stovall Museum of the University of Oklahoma. They are grateful for material aid granted to them by the American Philosophical Society and the Geschickter Fund for Medical Research, and also to the Banco Nacional de Mexico for lending them its private plane and the services of the excellent pilot, Captain Carlos Borja. For mycological guidance they are primarily indebted to Roger Heim, director of the Museum National d'Histoire Naturelle, Paris. For general advice they are most deeply indebted to Roman Jakobson of Harvard University, Robert Graves of Majorca, Adriaan J. Barnouw of New York, Georg Morgenstierne of the University of Oslo, L. L. Hammerich of the University of Copenhagen, Andre Martinet of the Sorbonne, and Rene Lafon of the Faculte des Lettres at Bordeaux. In the article the names of places and persons have been altered to preserve their privacy. Obtenido de The Psychedelic Library |
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Documento creado: 6 de junio de 2001 / Última revisión: 7 de junio de 2001 |